Chung graduated from the Hong Kong Academy for Performing Arts in 2004 with a Bachelor of Fine Arts (Honours) in Sound Design and Music Recording and is a recipient of The Jockey Club Scholarship. As a project-based sound engineer, she works across music studios, concerts, and theatre, specializing as a Music Mixing Engineer, Concert Sound Engineer, and Theatre Sound Designer.
Her recent Dolby Atmos mixing credits include major concerts such as Dearest Dear Jane Live, Panther Chan Live 2024: Mindfulness, Hacken Lee x HK Phil Concert 2023, and MC Cheung x Hung Kaho: Frenemy Live 2022. In addition to her work as a music mixing engineer for artists like Andy is Typing, Chau Kat-pui, Endy Chow, and Serrini.
She has served as the Concert Broadcasting Mixing engineer for the "In My Sight" solo concert series by Keung To, Ian Chan, and Anson Lo. Her theatrical portfolio includes Zuni Icosahedron’s Jockey Club Learning Chinese Culture through Arts Tech Theatre Programme – Calligraphy and the Interrupted Dream tour in Serbia, while her installation work includes sound art for Auguries of Innocence, Hemeroscopium, and The Tides of Time.