Hong Kong mystery novel master Chan Ho-kei’s classic 13.67 tells the story of a Hong Kong detective from 1967 to 2013 and unveils social phenomenon behind crimes: tycoons, idols, prison breaks, kidnappings, and bomb fanatics.
Debut of a Hong Kong mystery masterpiece with unique staging and format. With Arts Tech, a movie-like sound and visual scape is created to experiment story-telling. Coming soon in the Hong Kong Cultural Centre. Stay tuned.
Ⓒ Chan Ho-kei With authorization from Crown Publishing (H.K.) Ltd.
Chan Ho Kei
Mathias Woo
Mathias WooCarson Chung
Yu Yat YiuCedric Chan
Lai Tat Wing
John Jr ChiangCarson ChungSobi SoDavid Yeung
Lee Ken-tsai
Mystery Fiction “The Borrowed” ranked top in Japan’s Honkaku Mystery Best 10 (Foreign Sections) 2017 and Shūkan Bunshun Mystery Best 10 (Foreign Sections) 2017. The book is one of the few Chinese mystery fiction in the international market, translated into English, French, German, Italian, and Japanese. Renowned film director Wong Kar Wai also plans to adapt the fiction in his future production.
“The Borrowed traces the past and sheds light on the future of Hong Kong through mystery stories. It is not only a top-notch detective story of the orthodox school but also a genius work of the social school, a subgenre of detective fiction.” Makoto Tamada, critic of mystery fiction
“The investigation of each mystery is not at all conventional… The ending makes readers want to reread from page one.” books.com.tw
“Very sound logic, unexpected plots… Even more well-grounded in logic and more brilliant than some of the detective fiction classics from overseas.” Douban Read
Awards
Ranked top in Japan’s Shūkan Bunshun Mystery Best 10 (Foreign Sections) 2017
Ranked top in Japan’s Honkaku Mystery Best 10 (Foreign Sections) 2017
Awardee of the Taipei International Book Exhibition prize 2015
Japan Booksellers’ Award “Excellent Translations” No. 2
Japan Kono Mystery ga Sugoi! International No.2
Chan Ho-kei, a graduate in computer science from the Chinese University of Hong Kong, and an international member of the Mystery Writers of Taiwan. In 2008, his short story The case of Jack and the Beanstalk was shortlisted for the 6th Mystery Writers of Taiwan Award. In 2009, he won the 7th Mystery Writers of Taiwan Award with his short story, The Locked Room of Bluebeard. In 2011, he won the 2nd Soji Shimada Mystery Award with his first novel, The Man Who Sold the World.
Standard: $280
Children, local full-time students: $100
New middle-aged audiences over 60, disabled people and their caretaker: $140 (50% off)
Ticket available now on Zuni Ticketing* and art-mate
*Enjoy waived handling fee on Zuni Ticketing exclusively for Zuni’s show tickets
No handling fee for Zuni’s show tickets
Get your 15% off discount code by sending a WhatsApp Zuni (+852 6023 8688) in season 22/23
Children, local full-time students can enjoy concessionary tickets at $100
New middle-aged audiences over 60, disabled people and their caretaker can enjoy 50% off
Elderlies over 80 can enjoy concessionary tickets at $10
Schools*, clients of Agency Members of the Hong Kong Council of Social Service* and recipients of the CSSA# can enjoy fully funded tickets
^Limited quota on a first-come-first-serve basis; only one type of discount is applicable each time.
*For group bookings only. For details, please refer to 2022 Art Partner Scheme (Only Chinese version is available)
#Available on Zuni Ticketing. Restricted by terms, $1 is collected as handling charge.
Enjoy 15% off by presenting the membership number. Available on art-mate.
*Each discount offer cannot be used in conjunction with other offers. Available on art-mate.
Membership discount at 15% OFF
Broadway Cinematheque members
MOViE MOViE members
Membership Discount at 10% OFF
Members of Hong Kong Arts Administrators Association
Fringe Club Members
HKIFF Cine Fan Student Privilege, Classic Privilege, Patron Privilege
Students / Staff of Hang Seng Management College
Chung Ying Theatre “Energy Fun Club plus”
Friends of The Hong Kong Ballet
Members of HK Philharmonic Orchestra Club Bravo
Members of HKRep Pals
Friends of Hong Kong Dance Company Prestige/Classic Members
Friends of Hong Kong Chinese Orchestra
Members of CCDC Dance Inspirations Card
Members of CCDC Student Dance Inspirations
Hong Kong Philharmonic Orchestra Young Audience Scheme
The Hong Kong Association of Theatre Technicians & Scenographers
Creative Coordinator: Cedric Chan, Charmaine Cheng
Lighting Designer: Mak Kwok Fai
Sound Designer: Can. Ha
Video: Dan Fong
Costume Designer: Twinny Cheng
Production Manager: Lawrence Lee
Technical Manager: Chow Chun Yin
Technical Coordinator: Johnny Sze
Stage Manager: Yuen Kin Man
Deputy Stage Manager: Zeta Chan
Assistant Stage Manager: Onki Chan
Make up: Billie Siu
Hair Styling: Trista Wong
Wardrobe: Bonnie Chan
Technical Assistant: Zhang Mei Ping
Sound & Music Editing: Kairos Sou
Stage Crew: Chim Man Lung, Wong Sai Tsun, Priscilla Tsang
Photography: Yvonne Chan, Apple Lai
Translation: Mona Chu
International Exchange Director / Producer: Wong Yuewai
General Manager (Administration and Finance): Jacky Chan
General Manager (Programme): Doris Kan
Programme Manager: Ho Yin-hei
PR & Publicity: Luka Wong
Assistant Programme Manager: Stephy Yeung
Programme and Art Administration Trainee: Chloe Li, Maggy Pang
Publicity: Choisy Chu, Regina Ho,
Design: Judy Lee, Carol Mak
Front of House: Wong Sze Wan, Twinky Yuen
Mr Jim Chu
Noble Castle Asia (Talent) Limited
Running time approximately 100 minutes
Performed in Cantonese
No latecomers will be admitted, until a suitable break in the performance
As requested by The Leisure and Cultural Services Department, audiences entering performance venues must comply with the requirement of the Vaccine Pass and use the “LeaveHomeSafe” mobile app. Please be reminded to arrive earlier for such registration.
Entrance guidelines and special seat arrangement might adjust according to the latest situation, please pay attention to the latest update from The Leisure and Cultural Services Department.
Zuni Icosahedron reserves the right to add, withdraw or substitute artists and/ or vary advertised programmes and seating arrangements.
