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Experiment Naamyam Hong Kong

Blind Musician Dou Wun

Studio Theatre, Hong Kong Cultural Centre

1

Nov

8PM

2

Nov

8PM

3

Nov

4PM

3

Nov

8PM

Experiment Naamyam Hong Kong

Blind Musician Dou Wun

Studio Theatre, Hong Kong Cultural Centre

  • About Dou Wun

  • Video

  • About Dou Wun

    Dou Wun (1910-1979) is considered the last master of Deishui Naamyam (southern tone) in Hong Kong. In the 1950s, he performed naamyam, sometimes an impromptu with references to current affairs, at Radio Television Hong Kong (RTHK). In 1972, Dou’s programme was put to a halt alongside the decline of other traditional cultural programmes at RTHK. The audience took delight in his artistry, appreciating the way he played the paiban with his left hand and guzheng with his right, whilst singing simultaneously.

    In 1974, the Goethe-Institut invited Dou to perform Sorrow Of The Traveller, Mourning for My Lady, etc. In 1975, Bell Yung, Emeritus Professor of Music at the University of Pittsburgh, recorded 16 numbers of Dou’s naamyam singing at a teahouse. Dou also performed at the Hong Kong City Hall and the Chinese University of Hong Kong. Since Dou died in 1979, deishui naamyam has become a legend.

    THE STORY OF A VIRTUOSO BLIND MUSICIAN:DOUWUN

  • Video

    Blind Musician Dou Wun” Trailer 1

     

Experiment Naamyam Hong Kong

Blind Musician Dou Wun

Studio Theatre, Hong Kong Cultural Centre

1

Nov

8PM

1 Nov

8PM

2

Nov

8PM

2 Nov

8PM

3

Nov

4PM

3 Nov

4PM

3

Nov

8PM

3 Nov

8PM
$200 (Free seating) $100 (Full-time students)
  • $200
Seating Plan
  • Introduction

  • Creative Team

  • Technical Partners

  • Academic Partners

  • Remarks

  • Introduction

    “What touches me most is that Dou Wun, having experienced so much, remains optimistic and forward looking.” Bell Yung, Emeritus Professor of Music at the University of Pittsburgh “Regardless of whether you know naamyam, you can distinguish that of Dou Wun, full of sentiments, and entirely absorbed into the narrative” Yu Siu-wah, Adjunct Professor, Department of Cultural Studies, Lingnan University

    Naamyam, also known as Deishui Naamyam, is a Cantonese song-art that combines speaking and singing. It was popular around the Pearl River Delta. As a type of traditional Chinese music and a form of oral literature, naamyam is an important heritage both for its artistic and cultural values. Most naamyam singers are blind, where male singers are called gu si (blind songster), and female singers gu gei (blind songstress) or si noeng (female blind singer). Dou is one of the gu si’s.

    In the beginning of the 20th century, deishui naamyam was popular in Hong Kong, where it was mainly performed in tea houses and brothels; in the 60s and 70s, the prevalence of broadcast television and radio brought changes to entertainment and performance: deishui naamyam went downhill along with the disappearance of traditional performance venues.

    In 1975, Professor Bell Yung documented Dou’s performance. In order to show the quintessence of Dou’s artistry and be truthful to naamyam, Yung made the live recordings in Fu Loong Teahouse, where the audience and the ambiance were most familiar to Dou.

    In 2018, Zuni experiments with the recordings of Dou via audio system, image projection, and other theatre technology alike, to relive the audio-visual space of deishui naamyam.

  • Creative Team

    Artistic Advisor:Bell Yung
    Curator & Designer:Mathias Woo
    Music Director:Yu Yat-yiu @PMPS
    Performer:Dick Wong

  • Technical Partners

     

  • Academic Partners

     

     

     

     

     

     

  • Remarks

    .Performed in Cantonese, with Chinese & English surtitles
    .Running time approximately 40 minutes with no intermission
    .No latecomers will be admitted, until a suitable break in the performance.
    .Zuni Icosahedron reserves the right to add, withdraw or substitute artists and/or vary advertised programmes and seating arrangements.